Posts Tagged ‘Nonfiction’

Melita reviews “Tough Without A Gun: The Life and Extraordinary Afterlife of Humphrey Bogart”

Monday, May 2nd, 2011

Tough Without A Gun: The Life and Extraordinary Afterlife of Humphrey Bogart by Stefan Kanfer  BIOG Bogart

Humphrey Bogart died over half a century ago, and yet remains one of the most popular film stars of all time, ranked by the American Film Institute as the greatest male legend in cinema history.   Stefan Kanfer, in his new biography Tough Without a Gun: The Life and Extraordinary Afterlife of Humprey Bogart  (BIOG BOGART), attempts to cover Bogart’s entire life from his birth in 1899 to his death at the young age of 57.  Most people know Casablanca, The Maltese Falcon, or the African Queen.  But many do not know Bogart was in his late 30’s before he began his film career at Warner Brothers, and made many “B” grade movies in supporting roles before he gained star status.  Although he was born into a wealthy New York family, he drifted through prep school and then the navy, always in trouble with authority.  He started in New York theater as a stage manager and spent years working his way up through minor acting parts, slowly learning his craft.  He was no overnight success.  I found this book entertaining and easy to read.  There are a lot of details on Bogart’s private life, but the focus is equally on his work. This book doesn’t dig up new information.  Kanfer’s sources are secondary, and he quotes often from other biographies and autobiographies of Bogart’s contemporaries, but the author adds enough background information about the era and the people introduced that even someone who knows little to nothing about the twentieth century or cinema history will be caught up in the tale.

Melita reviews “Wolf: The Lives of Jack London” and “Jack London: Photographer”

Monday, January 17th, 2011

Wolf: The Lives of Jack London by James L. Haley (BIOG LONDON) and Jack London: Photographer by Jeanne Campbell Reesman (770.92 RE)

James Haley subtitled his book “the lives of Jack London” because London’s life included more careers and experiences than you would think possible for one man.  Anyone who has read his adventure novels, such as The Call of the Wild, White Fang, or The Sea-Wolf, will have been struck by the naturalism and immediacy of his writing.   He came by his knowledge of the sea and the Yukon wilderness by living, working, and risking his life in those environments, just as the protagonists of his novels.   Author Haley has divided London’s life into fourteen chapters, each investigating a portion of his amazing life. He was born in 1876, and after completing 8th grade began his work career at a pickle cannery , earning ten cents an hour.   Such early experiences as a “work beast” turned him towards a life-long support of socialism, reflected in such books as People of the Abyss and The Iron Heel.

As a teenager he taught himself to sail, and even while making a living as an oyster pirate (which was an actual illegal profession in California in the early 1900’s) he began his self-education with the help of a librarian at the Oakland Free Library.   Still a teenager, he signed on to a ship sailing the Pacific to hunt for seals and steered through a typhoon at sea such as is described in The Sea-Wolf.  After almost dying in the Yukon, prospecting for gold, he determined to become an author and work with his mind.  He accomplished this by strength of will, memorizing dictionaries, and setting himself the goal of writing 3,000 words per day.  He became a celebrity, a war correspondent, and last, a rancher, dying at the young age of 40 due to complications of alcoholism and kidney failure.

Jack London:Photographer is a fantastic companion book to any biography of Jack London.  London purchased a folding pocket Kodak, one of the first popular cameras for amateurs, and taught himself to take pictures.  There are over 12,000 prints in the London archive, and the ones selected for this book reflect his wide-ranging interests and travels.  His photos of 1903 London correspond to his book on grinding poverty in the industrial age, People of the Abyss.  Photos of the Russo-Japanese War and the 1914 Mexican Revolution reflect his work as a war correspondent.  London and wife, Charmian, were immediately on the scene of the 1906 San Francisco Earthquake with his Kodak, and the depictions of the destruction are stunning.  Also included are photos of indigenous peoples of the Polynesian islands that the Londons visited by sailing ship, in the days when very few European or American travelers went there.  While not entirely free of the cultural prejudices of the time, London’s photos tend to be more realistic and less stagey than others of the time period.   A fascinating glimpse into the past, and the work of an important American author.

Barb R. reviews “Unbroken” by Laura Hillenbrand

Tuesday, January 11th, 2011

This book has been on the New York Times best seller list for weeks, so it probably doesn’t need any publicity. But, if you’re looking for a great read, I highly recommend Unbroken.

After a troubled childhood, Louis Zamperini discovered running. After competing in the 1936 Olympics in Berlin, he was closing in on the 4-minute mile when the Japanese attacked Pearl Harbor. Louie enlisted in the Army Air Corps and was made a bombardier. On one of the bombing missions, his plane was shot down; only Louie and two other crew members survived. They survived for forty-six days on a small raft in the middle of the ocean. But, Louie’s ordeal on the raft was nothing compared to the horrors of the Japanese prison camps. One particularly evil-minded Japanese corporal singled Louie out for forced labor and extreme torture. The POWs were also constantly aware of the order from the Japanese high command to “kill them all” if it appeared that the Allies would win the war.

 Louie miraculously survived the prison camps and tells his story in this memorable book, written by the author of Seabiscuit.  As he says in the “Acknowledgment” section at the end, “I’ll be an easier subject than Seabiscuit because I can talk.”

 This is terrific non-fiction that reads like a fiction adventure story.

Barb R. reviews “Packing for Mars”

Wednesday, December 15th, 2010

Mary Roach, a science writer, is one of the funniest writers I’ve read in a long time! In her latest book, Packing for Mars, she tackles the less scientific aspects of space travel. She is not so concerned with rocket speed and trajectories, but focuses on the very human problems the astronauts face when they experience zero gravity. What happens if an astronaut gets nauseous on a space walk with a helmet on? How, exactly, does one eat a meal?  Personal hygiene – in space – is particularly challenging, and Roach’s chapters on that aspect of space travel are especially amusing and eye-opening!

The author visited the labs where the astronauts train and even participated in some of the exercises, so her writing, as well as being funny, is very authentic. Roach’s writing style is extremely non-technical and easily understood by the layman.

This book makes me want to read one of her others: Stiff (about cadavers), Spook (the afterlife), and Bonk (about sex).

Maria reviews “As Always, Julia” by Julia Child and Avis DeVoto

Saturday, December 11th, 2010

As Always, Julia by Julia Child and Avis DeVoto, 641.5092 AS

I love Julia Child. I’ve only ever seen short clips of her iconic television show, I’ve never read her cookbook, and I don’t anticipate tackling any of the recipes. It’s not her cooking I love – it’s HER.  One might think that someone who devotes her life to the fine art of French cooking would be pretentious. That couldn’t be farther from the truth where Julia Child was concerned.

In this book, we’re privy to the beginning of Julia’s lifelong friendship with Avis DeVoto, the woman who was instrumental in getting Julia’s opus, Mastering the Art of French Cooking, published.  Avis’ husband, Bernard DeVoto, had written a column in Harper’s on the inadequacy of American stainless steel knives.  In response, Julia sent him a quality French knife.  (There’s a reason to love Julia right there.  She sends gifts to people she doesn’t even know, but who work she appreciates!)  Avis acted as secretary for her husband and cooked for their family, so she was the one to write the thank you note.  It wasn’t long before the two women proceeded from “Dear Mrs. DeVoto” and “Dear Mrs. Child” to “Dear Avis” and “Dear Julia”.

There’s much to recommend As Always, Julia. It’s a lovely portrait of a beautiful friendship between two women (who, by the way, corresponded for years before they met).  Avis and Julia were both very politically aware, and, as this was the era of Joseph McCarthy, there was much to discuss.  The glimpses into their personal lives also fascinated me.  Avis mentioned she arrived at a three days a week compromise with her housekeeper.  At first, I assumed that meant that her housekeeper wanted to work more; but then I really that Avis was the one who wanted a full-time housekeeper.  That is so foreign to my life, and the lives of most everyone I know, that it really threw me for a loop.

But through it all, the star attraction is still Julia Child.  So larger-than-life, so dedicated to her calling, so giving to others, so supportive of her husband (who I also think I love), and so willing to laugh at herself, I only wish I could have had a chance to meet her.  Since that can’t happen, I’ll settle for making her acquaintance through books.

I also recommend My Life in France, her autobiography that was completed posthumously by her grandnephew, Alex Prud’homme.

Melita reviews “Twilight at the World of Tomorrow”

Monday, November 15th, 2010

Twilight at the World of Tomorrow by James Mauro    907.4747 MA   NEW

The subtitle of this both humorous and tragic book is “Genius, Madness, Murder, and the 1939 World’s Fair on the Brink of War.”  Thanks to author James Mauro, I began to feel how differently one might view the world in the 1930’s, when utopian vision and hope for technological progress clashed with the reality of Depression and World War. The stage is set in 1934, when two men scrambling for a scheme to make a few badly-needed dollars hit upon the idea of celebrating with a World’s Fair the 150th anniversary of the swearing-in of George Washington as president.  They were soon pushed to the side and the Fair’s theme became “Building the World of Tomorrow.”  Manufacturers built multi-million dollar pavilions to showcase their products in the future. GM’s Futurama was particularly popular, and not surprisingly depicted a suburban future heavily reliant on automobiles. The Fair’s utopian vision of the future did not include war, but as the Nazis moved across Europe, the pavilions of nations such as Czechoslovakia, Poland, and Austria began to go dark.  Political unrest led to numerous bomb threats and an actual bomb detonation at the Fair.

Mauro profiles two detectives on the bomb squad, as well as several well-known personalities of the time.  One is Grover “Gardenia” Whalen, who was put in charge of the fair due to his talent for spectacle and ticker-tape parades, but was fired for his luxurious tastes as the fair failed to meet costs.  Another is Robert Moses, who as City Parks Commissioner backed the fair only if it would be built in Flushing Meadow swamp, thus getting the funds to remove an enormous ash heap.  A third is Albert Einstein, who was asked to open the Fair by explaining cosmic rays in 700 words or less, as the switch was pulled to light the Fair’s towering symbols, the Trylon and Perisphere.  Mauro often tells the story in a humorous way, and in this case, Einstein’s majestic countdown leads to a total blackout.  Author James Mauro originally intended to write a historical novel, but I find the story compelling and fascinating in a non-fiction format.

Hedy Reads The Orchid Thief

Wednesday, August 25th, 2010

orchid-thief-lg

My son got married and moved to Florida where his new wife’s family lived, so I’ve been more interested in Florida lately.  “The Orchid Thief” (635.934 OR) evokes something quintessentially Floridian “always fomenting change, its natural landscapes just moments away from being drained and developed, its most manicured places only an instant away from collapsing back into jungle.”  The author writes a first-person description of her relationship with John LaRoche, a man obsessed with orchids, off-putting, but at the same time somehow likeable.  He was arrested for removing rare orchids from the Fakahatchee Strand State Preserve.  He was working for the Seminole Indian tribe, however, and since they aren’t required to abide by the Endangered Plants and Animals Act, he didn’t think he had to either.  So there was going to be a trial.  Until then, Susan Orlean accompanies him on his explorations searching for orchids, including tramping through a waist-deep swamp with machete-carrying convicts, feeling around for alligators with her foot in sinkholes.  What would she do it she felt an alligator?  What would it do?  The reader learns a lot of fascinating tidbits about orchids, the history of Florida, and the Seminole Indians.  More than anything, the book is about passion, the author’s no less than John LaRoche’s.  She writes: “…I realized more and more that he was only an extreme, not an aberration–that most people in some way or another do strive for something exceptional to pursue, even at their peril, rather than abide an ordinary life.”  What do I pursue?  I pursue reading and discussing and, yes, sometimes it’s at my peril.   See also: the movie “Adaptation” (DVD COMEDY ADAPTATION) based on the book and starring Meryl Streep.

Maria reviews “84 Charing Cross Road” by Helene Hanff

Saturday, August 21st, 2010

84 Charing Cross Road by Helen Hanff

84 Charing Cross Road by Helene Hanff

84 Charing Cross Road by Helene Hanff

I admit, I’m not a letter writer, but I love the idea of it.  And I love reading other people’s letter.  So 84 Charing Cross Road is a natural for me.  This book of correspondence runs from 1949-1969 between Helen Hanff, a brash writer in New York City, and an antiquarian bookstore in London.  The letters start out very business-like: “Would you have a copy of this book?”  is answered with “Yes, here it is and here is what you owe.”  The letters get a little more friendly, until Hanff breaks loose with this:

“Frank Doel, what are you DOING over there, you are not doing ANYthing, you are just sitting AROUND.”

She goes on to excoriate the everlastingly patient Frank for not finding her books in a timely fashion, and then tells him she’s sent some eggs for Easter. (Did you know the British were on war rationing into the 50s?  I didn’t!)  She finished with this,

“Well, don’t just sit there!  Go find it!  i swear i dont know how that shop keeps going.”

She never does puncture that proper British reserve, but the affection that grows between Hanff and all of the shop members is touching indeed.  This is a short book, a quick read, but one that I re-read every few years just for the chuckles I get from Hanff, for the intimate look it gives me into the life of Londoners right after the war, and the nostalgia of a day gone by wherein we would write our letters on heavy, creamy paper, and a bookstore would immediately respond by sending the book with an invoice and not require payment up front.

If you like this, take a look a Hanff’s The Duckess of Bloomsbury Street. Also, I got some of the same feel from The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer.   It also is letters between book lovers, and is also set in post-war England, a lovely little book that I also thoroughly enjoyed.

Hedy reviews IN DEFENSE OF FOOD by Michael Pollan

Monday, June 7th, 2010

in-defense-of-food1

Michael Pollan always provides a good read and In Defense of Food: An Eater’s Manifesto is no exception.  The Manifesto is embodied in the first paragraph:  ”Eat food.  Not too much.  Mostly plants”.   You might think something like food would not need defending, but Pollan’s definition of food is anything that is not processed, and the American diet is chockablock with processed “food”.  Food is replaced by nutrients and, more and more, is becoming not a product of the natural world but of the scientific world.  Pollan refers to the American Paradox: “The more we worry about nutrition, the less healthy we seem to become.  Hence, his Manifesto.  Pollan is entertaining and witty in his critiques of the food industry and the health industry.  He provides simple and cheap solutions to the problems of obesity, heart disease, and diabetes.  But his solutions aren’t easy because “fast food is precisely the way you’d expect a people to eat who put success at the center of life, who work long hours (with two careers per household), get only a couple of weeks vacation each year, and who can’t depend on a social safety net to cushion them from life’s blows.”

Maria reviews The Bauhaus Group

Wednesday, January 27th, 2010

The Bauhaus Group: Six masters of modernism by Nicholas Fox Weber

Last fall, during Global Gathering Germany, architect Christopher Wegscheid gave a talk on the history of the Bauhaus school of Germany.  While it’s not something I would have normally gone to, I arranged for the talk and I personally know Christopher.  I knew it would be an entertaining presentation, regardless of whether or not I had an interest in the subject.

Well, I was right.  It was fascinating.  And so when I saw a review for The Bauhaus Group: Six master of modernism by Nicholas Fox Weber, I had to read it.  I have to tell you, it took me weeks to finish it, but I’m glad it did.

The Bauhaus was born, lived and died during such a tumultuous period of Germany history that its mere existence holds interest for me.  I think Weber did a great job of conveying the ideals of the Bauhaus.  Ornament obscures; the beauty of an object lies in its form.  Industry and art are not mutually exclusive.  Appreciate anything that is very well-done; a well-played sport is preferable to a poorly-performed play.

The biographies of these six players (Walter Gropius, the founder of the Bauhaus, Paul Klee, Wassily Kandinsky, Josef and Anni Albers, and Mies van der Rohe) are rife with drama, politics, brilliance, pettiness, and, always, a love of art and creativity.  They make for riveting reading.  What made this such a long haul for me, however, was the extensive discussion of art theory.  Of course, that’s to be expected in a book of this type.  It’s just not something my brain wraps itself around easily.

What I was less enthusiastic about was how often Weber inserted himself into the biographies.  Most especially his coverage of Josef and Anni Albers, whom he knew personally and of whose Foundation he is now the director, was less a recounting of their time at the Bauhaus and more of their time with Weber himself.

Nonetheless, while I still cannot say that I’m a huge fan of modernism, I have a new appreciation for the Bauhaus ideals, and, I hope, will make more of an effort to see the beauty in the natural form of everything around me, as the true Bauhauslers did.